Collectivism since 1995
A collaboration with C’H’C’M available in USA & Japan with a small selection from the Six Eight Seven Six website
Short Sleeve shirt with soft non stand collar
Boxy cut & breast pocket with curved design stitch line
Two back pleats which are bar tacked
100% Cotton Poplin 2/100’s x 2/100’s
Made In London
Available from C’H’C’M in New York and Japan plus Six Eight Seven Six
A young historian and educator enthusiastic about music and fashion. Coming from a background of subculture. I’m keen on exploring the connections between the different dimensions of the past and present subcultural reality, from the inside and from the outside. Captured in a number of articles for fanzines and magazines, as well as a paper for the prestigious Culture & History Digital Journal. I collect records of many sorts but I have special weakness for Jamaican sounds from the 60’s and 70’s.
“I shall fear no evil” is a mixtape for 6876. A fine selection of timeless early reggae, rocksteady and ska classics. Mixed and recorded in mono at home (E8) during isolation with strictly vinyl from my personal collection.
T-shirt print featuring 6876 original Woodcut font numbers.
The first time that the branding has been “split” between front chest (68) & Back shoulder (76) to incorporate a polo sports shirt aesthetic.
:Flock affect Print
90% Cotton 10% polyester
Cotton 60z Weight 203 grams
Ed Martin Aka EdV3ctor is a long term supporter of Six Eight Seven Six & owner of a few garments in his time.
So its an honour for us to have such a luminary of the Leeds (& UK) music scene creating a a mix for our Soundcloud series.
To find out more read the bio and listen to the sounds on the link
First produced in 2001 as a collective idea within the studio team and a reminder of great colleagues and environment at the time.
We were reminded of the T-shirt also by James Brown a longtime friend and champion of the brand when he unearthed an old photograph
100% Cotton : White T-shirt / Black Discharge print
Andrew Six Ashes :
Shropshire based Graphic designer, 6876 collector since inception and our digital brand guardian.
The mix leans into his British Jazz collection blended with some familiar grooves given Jazz treatments.
Footnote: Very proud Wolverhampton Wanderers supporter.
New T-shirt print featuring 6876 original Woodcut font numbers.
The first time that the branding has been “split” between front chest (68) & Back shoulder (76) to incorporate a polo sports shirt aesthetic.
:Flock affect Print
100% Cotton 60z Weight
New T-shirt print featuring 6876 original Woodcut font numbers.
The first time that the branding has been “split” between front chest (68) & Back shoulder (76) to incorporate a polo sports shirt aesthetic.
:Flock affect Print
100% Cotton 60z Weight
Shaun Galbraith aka Rumshack Steve, booker and resident to one of Glasgow’s roughest monthly parties as well as the manager of Glasgow’s number one Caribbean style dancehall and venue.
Focusing on reggae, dub and dancehall music as well as the influence of dub producers and techniques on other forms of music, these nights have seen guests such as General Echo Soundsystem, Dubplate Pearl, Bokeh Versions, Sisters of Reggae and Jagger (Supreme) rock the dancefloor.
This 1 hour mix draws from the influence of these parties and the imagined relationship between them and the sixeightsevensix range.
100% Cotton Oxford heavy Panama weave,White & Navy stripe, 50’s x 2/24’s and 160 Grams.
Six Eight Seven Six label on the chest pocket and box pleat on the back.
Manufactured in London
Fabric : Acorn shirting woven in the UK
Nick Tweedie:
Art Director, Scot , Six Eight Seven Six collaborator & a man that knows his clothes (Especially Alden shoes)
“A sonic peregrination involving various modes and mechanisms – part distant, part distant , part current , part shared reference”